Dina
Pathak (née Gandhi; 4 March 1922 – 11 October 2002) was a veteran
actor and director of Gujarati theatre and also a film actor. She
also was an activist and remained the
President of the 'National Federation of Indian Women' (NIFW).
A
doyenne of Hindi and Gujarati films as well as theatre, Dina Pathak
acted in over 120 films in a career spanning over six decades. Her
production Mena Gurjari in Bhavai folk theatre style, ran
successfully for many years, and is now a part of its
repertoire.
She
is best known for her memorable roles in the Hindi films Gol Maal and
Khubsoorat. She was a favourite of the Art Cinema in India where she
played powerful roles in films like Koshish, Umrao Jaan, Mirch Masala
and Mohan Joshi Hazir Ho!.
Her
notable Gujarati films were Moti Ba, Malela Jeev, and Bhavni Bhavai
while her well-known plays include Dinglegar, Doll's House, Vijan
Sheni and Girish Karnad's Hayavadana, directed by Satyadev Dubey.
Dina
Pathak was born in Amreli – Gujarat on 4 March 1922. She was
enamoured by fashion and films, and while a teenager started acting
in plays and won rave reviews from critics.
At a
young age, she joined the Indian National Theatre as an actress. She
attended college in Bombay (Mumbai), and became known for her student
activism, where Bhavai theatre, a folk theatre form from Gujarat, was
used extensively to create awareness about British rule, in the
Pre-independence era; this led to her close association with Indian
People's Theatre Association (IPTA), along with her elder sister
Shanta Gandhi and younger sister Tarla Mehta; while in Mumbai, she
had an important hand in reviving the Gujarati theatre there, along
with fellow Gujarati actors like Kailash Pandya and Damini Mehta.
She
created quite a stir with her plays in Gujarat in the 1940s. The
audience queued up to watch her play the lead in Maina Gurjari, which
is still one of the most popular Bhavai's along with sister Shanta
Gandhi's Jasma Odhan. In 1957, when she performed Mena Gurjari in
front then President, Dr. Rajendra Prasad at the Rashtrapati Bhawan
in Delhi, it became the first and the only Gujarati play to have
achieved the feat so far.
Although
she made her film debut with a Gujarati film, Kariyawar (1948), she
retreated back into theatre after acting just one film, only to
return nearly two decades later. Meanwhile, she continued playing to
packed audience in plays by Indian People's Theatre Association
(IPTA) and Shanti Bardhan's Ballet troupe. Later she formed her
own theatre group in Ahmedabad called 'Natmandal', even today,
she is remembered as a stalwart performer and a theatre activist at
IPTA.
At
age 44, she made a comeback into films, with Basu Bhattacharya's Uski
Kahani (1966), for which she won the Bengal Journalists Association
Award. She made four films in the 1960s, including Hrishikesh
Mukherjee's classic Satyakam (1969), Saat Hindustani (1969), starring
Amitabh Bachchan in his debut role and the Merchant Ivory
Productions, The Guru (1969). By the times 1970s, she had become a
favourite of art and commercial films alike, playing powerful
motherly and grandmotherly roles. It was in these films that she
became recognised as the Grand-Old-Mother of Hindi films.
Films
that stand out in this era are Gulzar's Mausam (1975), Kinara (1977),
and Kitaab (1977), and sweet comedies like Basu Chatterjee's Chitchor
(1976), Gharaonda (1977), and also in an art cinema classic, Shyam
Benegal's Bhumika (1977), which saw her standing tall alongside
another acting legend, Smita Patil, in career best performance.
Just
as the 1970s ended, she was seen in the comedy classic, Hrishikesh
Mukherjee's Gol Maal (1979), where she essayed the role of Kamala
Shrivastava, a middle-aged woman who sportingly plays mother to Amol
Palekar, who went on to direct her in his 1985 film, Ankahee. The
next decade began with another career best, as a stern disciplinarian
matriarch in Hrishikesh Mukherjee's Khoobsurat in (1980), closely
followed by Bhavni Bhavai (1980). In 1980, she was also awarded the
Sangeet Natak Akademi Award. During the 80s she also appeared on the
popular TV series, Malgudi Days. In 1984, she appeared in A Passage
to India. Though she had far from given career best she gave another
powerful performance in Ketan Mehta's Mirch Masala (1985), Govind
Nihalani's Tamas (1986) and once again she worked with Gulzar in
Ijaazat (1987).
Perhaps
her career best came in another comedy, when in 2002 she appeared in
Deepa Mehta's Bollywood/Hollywood for which she was nominated for
Best Performance by an Actress in a Supporting Role at the 23rd Genie
Awards.
She
completed her last film, Pinjar (2003), but died before its release,
due to heart attack, following a prolonged illness, on 11 October
2002 in Bandra, Bombay.
She
married Baldev Pathak and had two daughters, Supriya Pathak (b. 1961)
and Ratna Pathak (b. 1957).
Dina Pathak's Filmography with Super Star Rajesh Khanna :
- Sachaa Jhutha (1970)
- Avishkaar (1973)
- Aap Ki Kasam (1974) – Sunita's mother
- Anurodh (1977)
- Thodisi Bewafaii (1980)
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